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      8.3/10
      368,633
      1,364 user 262 critic

      Citizen Kane (1941)

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      3:46 | Trailer

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      Following the death of publishing tycoon, Charles Foster Kane, reporters scramble to uncover the meaning of his final utterance; 'Rosebud'.

      Director:

      Orson Welles

      Writers:

      Herman J. Mankiewicz (original screen play), Orson Welles (original screen play)
      Popularity
      1,243 ( 167)
      Top Rated Movies #92 | Won 1 Oscar. Another 9 wins & 13 nominations. See more awards »

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      Edit

      Cast

      Cast overview, first billed only:
      Joseph Cotten ... Jedediah Leland / Screening Room Reporter
      Dorothy Comingore ... Susan Alexander Kane
      Agnes Moorehead ... Mary Kane
      Ruth Warrick ... Emily Monroe Norton Kane
      Ray Collins ... James W. Gettys
      Erskine Sanford ... Herbert Carter / Screening Room Reporter
      Everett Sloane ... Mr. Bernstein
      William Alland William Alland ... Jerry Thompson
      Paul Stewart ... Raymond
      George Coulouris ... Walter Parks Thatcher
      Fortunio Bonanova ... Matiste
      Gus Schilling ... The Headwaiter / Screening Room Reporter
      Philip Van Zandt ... Mr. Rawlston
      Georgia Backus ... Miss Anderson
      Harry Shannon ... Kane's Father
      Edit

      Storyline

      A group of reporters are trying to decipher the last word ever spoken by Charles Foster Kane, the millionaire newspaper tycoon: "Rosebud". The film begins with a news reel detailing Kane's life for the masses, and then from there, we are shown flashbacks from Kane's life. As the reporters investigate further, the viewers see a display of a fascinating man's rise to fame, and how he eventually fell off the top of the world. Written by Zack H.

      Plot Summary | Plot Synopsis

      Taglines:

      365 days in the making - and every minute of it an exciting NEW thrill for you ! See more »

      Genres:

      Drama | Mystery

      Certificate:

      PG | See all certifications »

      Parents Guide:

      View content advisory »
      Edit

      Details

      Official Sites:

      Official Facebook

      Country:

      USA

      Language:

      English | Italian

      Release Date:

      5 September 1941 (USA) See more »

      Also Known As:

      American See more »

      Filming Locations:

      California, USA See more »

      Edit

      Box Office

      Budget:

      $839,727 (estimated)

      Gross USA:

      $1,585,634

      Cumulative Worldwide Gross:

      $1,594,107
      See more on IMDbPro »

      Company Credits

      Show more on IMDbPro »

      Technical Specs

      Runtime:

      Sound Mix:

      Mono (RCA Sound System)

      Aspect Ratio:

      1.37 : 1
      See full technical specs »
      Edit

      Did You Know?

      Trivia

      When asked by friends how Kane's last words would be known when he died alone, Orson Welles reportedly stared for a long time before saying, "Don't you ever tell anyone of this." See also the Goofs entry. See more »

      Goofs

      When Kane returns from Europe, he enters the Inquirer news room and rushes towards the camera, which dollies back. At this point, and when he subsequently leaves, the dolly track is visible on the floor. See more »

      Quotes

      [first lines]
      Charles Foster Kane: Rosebud...
      See more »

      Crazy Credits

      The film's opening title card is presented in complete silence, briefly with no music. See more »

      Alternate Versions

      Some of the Turner prints have the famous RKO logo removed and replaced with the Turner logo. See more »

      Connections

      Referenced in Diabolique (1955) See more »

      Soundtracks

      Song Without Words, Op. 62 No.3 (Funeral March)
      (1842-1844) (uncredited)
      Written by Felix Mendelssohn-Bartholdy
      Arranged by Max Steiner
      See more »

      Frequently Asked Questions

      See more »

      User Reviews

      CITIZEN KANE may let some people down, but it's still worth seeing.
      2 May 2004 | by CowmanSee all my reviews

      It's a difficult undertaking for someone of my generation to watch a film like CITIZEN KANE. Not because it's "too old" or "too boring", but because it has been hailed--almost universally--as the single best motion picture ever made. And while the anticipation of seeing a film with such overwhelming acclaim may be quite exhilarating, actually watching it is ultimately an intimidating and somewhat disappointing experience.

      This isn't to say that I thought CITIZEN KANE was a bad film; in fact, I thought everything about it was downright brilliant. From the enchanting performances right down to the meticulously planned camera movements and clever lighting tricks, there isn't a single element of CITIZEN KANE that isn't a stunning achievement in all areas of filmmaking.

      CITIZEN KANE's storyline is deceptively simple. Even though the plot unfolds by jumping in and out of nonlinear flashbacks, it is surprisingly easy to keep track of. The straightforwardness and relatively fast pace of the story are what make it seem intimidating. Because everything moves smoothly along without any standstill, it feels like we are being fooled-like there is something much greater that we just can't seem to grasp. As a first-time viewer, I knew from its reputation that there must be *something* that separates this movie from all the others; something buried within its simple plotline that everybody else has seen, but that I just could not seem to get a handle on. And then, during those final frames, that something was revealed, and it all began to make sense. To me, it was these moments of confusion and uncertainty followed by a sense of enlightenment and appreciation that made watching CITIZEN KANE such a meaningful experience.

      But no matter how great of a movie CITIZEN KANE really is, it can never live up to one's expectations. Although I do feel that it is deserving of its acclamation, the constant exposure to its six decades worth of hype and praise will invariably set most modern viewers' standards at a height that is virtually unreachable--even if it really *is* the best movie of all time.


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